TV

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Last Man Standing, Tuesday 9pm, BBC3

Posted by Claudia Pattison

Preview rating:Five star rating
Six intrepid athletes, eight ancient sporting festivals, one victor: this is Last Man Standing in a nutshell. Over the past few weeks we’ve seen the plucky contestants – three Brits and three Americans – try their hand at exotic forms of wrestling, endurance running, stick fighting and kickboxing. Tonight, they’re heading for the Trobiand Islands, near Papua New Guinea, to play cricket. Sounds simple enough – but, as ever in LMS, nothing is quite what it seems.

Last Man Standing Originally introduced to the island by British Methodist ministers in the 1930s with the aim of preventing tribal warfare, the sport has been adapted by the locals to include a hefty dollop of magic and a level of intimidation that would make most Westerners run for the hills. Personally, we can’t wait for tonight’s show – especially if it gives likeable-but-puny cricket enthusiast Richard (Little Lord Fauntleroy meets Aled Jones) a chance to shine.

Instead of the testosterone-laden, sweat-soaked, sub-Gladiators gang-bang we were expecting, Last Man Standing has turned out to be a fascinating and thought-provoking documentary series – and its success is due in no small part to the charisma of the contestants. We’re particularly partial to kickboxing Brummie Mark, who’s desperate to make his late father proud, and fitness guru Rajko, who’s got a six-pack you could bounce two pence pieces off.

It sounds as if the contestants are going to have their work cut out in the Trobiand Islands tonight. Still, after last week’s outing to Mongolia, which saw our bravehearts gagging over a pre-contest delicacy of sheep’s testicle soup, extreme cricket’s going to seem like a walk in the park.


Baby Ballroom, Saturday 6.25pm, ITV1

Posted by Amanda Vlietstra

Our rating: Two star rating
What a disappointment. I was looking forward to reviewing this - I thought Baby Ballroom would be the last word in sinister television, showcasing pushy parents forcing their kids into the limelight whilst the lamb-dressed-as-mutton kids miserably did the tango, all too aware of the humiliation they'd receive in the school playground the next day (OK, I have a mean streak sometimes).

Baby_27jul07_itv_150But actually, all the kids and parents seemed pretty well-balanced and down-to-earth. True, a couple of the mums looked like they'd been Tangoed themselves, having evidently hit the sunbed hard in preparation for appearing on national TV, but the kids were remarkably un-bratty.

Of course, one fatal flaw in the programme is that the judges can't lay into the kids, Simon Cowell style, for fear of making them all cry. But as the judges included X Factor finalist Ray Quinn (a former child ballroom dancing star himself - who knew?), Bonnie Langford and some bloke who I've never seen in my life before, but who everyone cheered, sarcastic repartee wasn't exactly on the cards anyway.

So no showbiz brats, no tears and no pushy parents. All a bit dull really. This programme was strictly for people who like to watch nine-year-olds dressed as adults dancing around pretending to fancy each other. Hmmm. A programme like that just can't help being a bit sinister, can it? Still, it was good to see presenter Kate Thornton has got a new job after being chucked off X Factor. What's that Kate? You're thinking of seeing if McDonalds are hiring?


Star Stories, Friday 9.30pm, Channel 4

Posted by Will Parkhouse

Our rating: Three star rating
Or Take That: How our success was nothing to do with Robbie Williams, as it’s subtitled. Star Stories’ style of comedy will be nothing new if you’ve seen Lucas and Walliams’ excellent Rock Profiles or Avid Merrion’s slightly more annoying Bo’ Selecta! But despite that, it’s still got some funny moments.

Star Stories (c) Channel 4 2007Narrated by a Gary Barlow (Steve Edge) who bears little or no physical resemblance to the singer (as seems to be something of a Star Stories tradition), the story of the ultimate boyband’s rise, fall and re-rise is told with gleeful anti-Robbie Williams bias (“Angels was the breakthrough the little bastard needed”).

The jokes are a bit limited: Robbie Williams is fat. Gary Barlow is fat. Jason Orange is really posh. Mark Owen is a bit timid. Howard is only capable of Chewbacca noises. Actually, that last gag’s pretty funny. Basically, whether you find Star Stories amusing does depend a lot on whether you like laughing at people swearing in silly voices and the kind of dialogue that goes:

Robbie: “I just want longevity and respect.”
Gary: “Longevity and respect! Big words from a big fat bastard.”

Which personally, I do. Anyway, check out a recap of series 1 below and see what you think.

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Little Britain Down Under, Friday 9pm, BBC1

Posted by Helen Jennings

Our rating: Two star rating
The last stand. The final curtain. So long, and thanks for all the memories. Matt Lucas and David Walliams tuck their Little Britain characters into bed with this fly-on-the-wall documentary about their sell-out tour of Australia. Well, at least I hope that’s the idea anyway. With another series of Little Britain looking unlikely as the pair get busy making a US version of the show for HBO instead, this programme gives the franchise one final squeeze.

Little Britain (c) BBC So they travel Down Under with a camera crew in tow to document all the action. Bawdy clips from their Melbourne gig pale in comparison to such off-stage magic moments as meeting Kath & Kim, Lou and Andy’s cameo in Neighbours and a perilous encounter with Dame Edna Everage.

It all makes jolly viewing for fans, as well as a fitting end to a tired TV concept. Like Reeves & Mortimer, The Office and Ali G before them, they captured the hearts of students across the land with their motley assortment of characters and catchphrases. But shouting “No but yeah but no”, “Computer says no” and “What a kerfuffle” at your mates only remains funny ha ha for so long – and as this documentary illustrates, they’ve been rolling out the same gags for a very long time. It’s time to stop. As Andy would say, I don't like it.


Studio 60 on the Sunset Strip, Thursday 10pm, More4

Posted by Will Parkhouse

Our rating: Four star rating
Cards on table: I loved The West Wing so much I still have a framed picture of the cast hanging in my house. I’m not even joking. So it’s no surprise that I think Studio 60 on the Sunset Strip, the work of West Wing writer and creator Aaron Sorkin, is quality stuff. To be honest, he could hold a bogey in front of a camera for an hour and it would still be brilliant television.

Perry and Whitford (c) Channel 4 2007

As live show ‘Studio 60’ gets underway, executive producer Wes Mendell has a barney with some tight-ass network mogul who wants to ditch one of the show’s sketches. Mendell barges onto the set and embarks on a dialogue about how satire has been castrated by a cowardly network.

Inevitably, he gets fired and new company president Jordan McDeere (Amanda Peet) drafts in a pair of hotshot gunslingers, Matthew Perry and Bradley Whitford, who instantly start rattling out brilliant lines. But it’s Peet who’s the big surprise. Reduced for years to playing bimbos in Hollywood crud like The Whole Nine Yards, she’s luminous as the sass-tastic company president who smiles at her quarry like she’s in love with them.

You can see why the Americans didn’t take to it - Sorkin’s trademark smart-talking script tries to convince you that media folk are articulate, likeable and funny, when everyone knows we’re all arrogant misanthropic scumbags. But as with The West Wing itself (what, you think the people who run the White House are all that brainy?), suspend your disbelief and you’re well away.


Brothers and Sisters, Wednesday 10pm, Channel 4

Posted by Will Parkhouse

Our rating: Four star rating
Despite featuring the most improbable plot device since the bit in Neighbours when Susan Kennedy slipped on some spilt milk and woke up with a mental age of 16, the latest instalment of Brothers
and Sisters
(we’re on episode seven now) is actually a bit of a corker.

Brothers and Sisters (c) Channel 4 2007When the Walkers realise money troubles are forcing them to sell the country ranch they holidayed in as children, they get all misty-eyed. That is, until mother Nora suggests they should all go and spend the weekend there together. As generally quite selfish people, desperate to let everyone know how damn dysfunctional they are, none of the family are up for it and make their excuses. Nora is upset. Poor Nora.

Then it gets really ridiculous, as each family member independently decides to have a sneaky weekend away at the ranch with their spouse/crush and heads to the country. There’s six of them! And they all arrive within five minutes of each other! How stupid is that?!

Answer: very stupid. At this stage I’d normally say “but suspend your disbelief because…” - but in fact you don’t need to bother, as your scepticism will be charmed into the air by the slickness of the farce. It’s, gulp, actually really funny. Of course, there’s still the slightly annoying fact that we’re supposed to sympathise with a family of stupidly good-looking Yanks just because their family business is in trouble - BOO HOO - but in spite of its hearty all-American feel, it feels as homely as Friends.


Heroes, Wednesday 9pm & 9.40pm, BBC2

Posted by Helen Jennings

Preview rating:Four star rating
Americans do it better. It’s just true. Alias, Lost, 24, Six Feet Under,
The X Files, Twin Peaks, Angel
(stop me, I’m on a roll) – when it comes to dark and moody drama, they’ve got it licked. And Heroes is set to be the next brooding series from across the pond to have us Brits hooked.

Heroes (c) BBCTonight it makes its UK terrestrial debut with a double bill introducing us to a disparate set of characters who have all become aware of their super-human powers. Peter, a hospice nurse, attempts to convince his politician brother that he can fly. A high school cheerleader called Claire learns she is indestructible and can heal herself. Niki, a Las Vegas stripper, discovers that her mirror image has a life of its own. The artist Isaac believes he can paint the future. Matt, an LA cop, can hear other people’s thoughts. And Hiro, a computer programmer from Japan, can stop time through sheer willpower alone.

It all sounds a bit Power Rangers – but these characters don’t suddenly don multi-coloured lycra suits and start flying around in formation. Instead, each choppy, comic strip-style scene builds to draw you in to an apocalyptic atmosphere of malcontent in which our unlikely heroes begin to realise they, of course, are destined to save mankind from an impending catastrophe and all manner of evil.

The BBC has already acquired the rights to the second series, with seven in total planned plus spin-off series, so it looks like Heroes is going to be big. Real big. Tina Turner was wrong, then: we DO need another hero.


Dawn of a new Vera

Posted by Claudia Pattison

Soap fans across the country are in mourning after learning that Corrie icon Vera Duckworth (played by the fabulous Liz Dawn) is waving goodbye to Weatherfield. Peroxide queen Vee is a wonderful character – one of those brassy, big-mouthed bossy-boots that Coronation Street does so well.

Bet_lynch_july07_rex_150x20 Elsie Tanner was the original – and some would say, the best. With her flame-red hair and a temper to match, the bolshie machinist worked her way through the Street’s supply of single – and not-so-single men. Famously described as “the sexiest thing on television” by Prime Minister James Callaghan, Elsie was the archetypal tart with a heart – and we loved her for it.

And who could forget buxom barmaid Bet Lynch - always ready with a pint of Newton & Ridley’s Old & Filthy and a packet of pork scratchings? With a selection of wigs to rival Lily Savage’s, Bet could flirt for Britain and it seemed as if no man could tame her. She finally met her match in Alec Gilroy – even their wedding day was fraught with tension as they exchanged sarcastic banter in front of the vicar.

And so we come to Vera. She made her debut in 1974 as a vulgar, gossipy warehouse packer, who gave short shrift to anyone who crossed her. But over the years, she softened, transforming from sharp-tongued harpy to a warm sympathetic figure, capable of touching our emotions. She’ll be exceedingly hard to replace, but d’you know what? We have every confidence in those Corrie casting directors.


TV Heaven, Telly Hell, Monday 11.05pm, Channel 4

By Will Parkhouse

Our rating: Two star rating
Why do we need Sean Lock, exactly? The funniest thing about him is his face (those glasses are more amusing than ten of his gags) and even then, I’m not sure funny would be the word I’d use to describe it. Dickensian, maybe. Why isn’t he called Samuel Scritchenchild or Bernard Grimlyteeth or something?

Sean Lock and Jack Dee (c) Channel 4 2007Here, the serial panellist hosts a second series of Channel 4’s TV-only version of Room 101, in which guests pick their best and worst television shows and moan about them. Tonight ultra-dry stand-up, comic actor and Celebrity Big Brother winner Jack Dee takes to the chair. Lock reels off some lazy lines which the studio audience receives with such enthusiasm and guffawing, the warm-up man must’ve softened them up good and proper.

Dee manages to produce one or two decent moments of genuine bile - “Pathetic. Absolutely pathetic. People wasting their lives,” he says of, wait for it, A Question of
Sport
- but generally even TV’s Mr Droll seems to be having a bit of an off day. From the demeanour he displays on the show, it’s possible that he’s like me and wants to lock Lock up. Or maybe it’s just TVHTH ’s uninspiring format that’s dragged him down. At least, with its “how many of your choices can you get in?” thing, Room
101
had a goal, however spurious. Each selection here, however, ends with, well, nothing.

I liked Dee’s withering description of It’s a Knockout: “Comedy for people who don’t really have a sense of humour but enjoy laughing, sometimes.” Unfortunately, it sums up this episode of TV Heaven, Telly Hell rather well too.


40 Years Out, Channel 4

Posted by Helen Jennings

Rainbow rating:Five star rating
Channel 4 marks the 40th anniversary of the legalisation of homosexuality in Britain with a week of provoking dramas and documentaries.

The season starts on Saturday with A Very British Sex Scandal, a docu-drama about the 1954 landmark conviction of Lord Montagu of Beaulieu and Peter Wildeblood for gay offences.

On Sunday Paul Nicholls stars in Clapham Common, a disturbing drama by Kevin Elyot inspired by the homophobic murder of Jody Dobrowski in South London two years ago.

A Very British Sex Scandal (c) Channel 4 How Gay Sex Changed the World on Tuesday makes for lighter viewing with frank and funny commentary by famous gay men (H Watkins, David Furnish, Simon Callow) about what they get up to with other gay men. Art critic Brian Sewell says: “I never came out… but I have slowly emerged.”

On Wednesday 40 Years Out finds David Aaronovitch hosting a lively debate on gay issues. And on Thursday Queer as Old Folk rounds things off nicely with tales from some bus pass-wielding gentlemen who are determined to grow old disgracefully.

I’m always a sucker for gay-tinged TV myself. What’s Grace without Will? Or This Life without Welsh wonder Warren? Or, indeed, South Park without Mr Garrison? The issue of gay rights has been kept in the spotlight by television since the 1970s and this season should be commended for both celebrating today’s equal rights and commemorating the struggle it has taken to get here.